Luna parks have their origins in the old medieval fairs and first took on a permanent form in Europe in the middle of the 19th century. Shortly before the beginning of the 20th century, an amusement park was created on Coney Island that promised sensations, adventure and the illusion of unlimited possibilities: Luna Park. This place of wonders and dreams quickly found imitators in the vibrant metropolises of Paris and Berlin at the beginning of the new century.

For Starky Brines, an artist who is inspired by colours, light, shapes and animal archetypes and who uses them to seduce the viewer of his works, Luna Parks exert a natural attraction. They not only cast a visual spell over him, but also encourage him to reflect ‘on our need for adventure and sensations on the edge of danger and suffering’, a need that seems to be particularly strong in times of great social uncertainty.

In his work, Brines certainly criticises socio-political issues by addressing the hidden dark sides and often overlooked social injustices that, as here, are concealed behind the glittering lights and cheerful rides. With his pictures, he illuminates the discrepancy between appearance and reality and invites visitors to reflect on the social realities hidden behind the colourful façade. In doing so, he avoids pointing the finger and relies on humour and irony.