Nadja Adelmann, Egalitarianism Black, 2022, Carbon steel, nylon, canvas, fur, 40 × 50 × 20 cm

Nadja Adelmann, Linien und Fläche, 2021, Copper-plated steel rods, clear lacquer, 184 x 25 x 20 cm

Nadja Adelmann, Egalitarianism Red, 2023, Carbon steel, nylon, canvas, fur, 40 × 50 × 20 cm

Nadja Adelmann, Mediopassive II, 2024, Handmade paper, neodymium, magnets, lacquered wood, 190 × 255 × 255 cm

Nadja Adelmann, Gegenstrich III, 2023, Aluminium, stainless steel, various mechanical and electronical components, fur, 235 × 50 × 50 cm

Birds Lamento (Der Vogel, scheint mir, hat Humor!), Sculpture, 2017, 30cm x 50cm x 135cm, parsolglass, walnut-tree, stain, feather clips

Nadja Adelmann, This is affection, 2022, Carbon, nylon, high performance LED matrix, electromagnets, aluminium, various technical components, 140 × 60 × 5 cm

Nadja Adelmann, Egalitarianism Blue, 2022, Carbon steel, nylon, canvas, fur, 40 × 50 × 20 cm

Linien und Fläche (Lines and Space), Installation, 2016, 95cm x 20cm x 160cm (installation dimensions variable), steel tubes, copper finish, clear lacquering

Nadja Adelmann, Linien und Fläche, 2021, Steel rods, lacquered, with Black 3.0, 103 x 111 x 18 cm

Nadja Adelmann, Gegenstrich II, 2022, Aluminium, stainless steel, various mechanical and electronical components, fur, ⌀ 80 cm, t = 8 cm

Nadja Adelmann, Linien und Fläche, 2021, Steel rods, lacquered with Black 3.0, 110 x 62 x 26 cm

Nadja Adelmann, Mediopassive I, 2024, Handmade paper, neodymium, magnets, powder-coated aluminum, 142 × 141 × 26 cm

Nadja Adelmann, This is reflection, 2023, Carbonsticks, 3D stainless steel, glass with black foil, wood, various mechanical and electronic components, 170 × 60 × 10 cm