George Steinmann, Départs, 1998/2006, Blackberry juice, (1998) shellac, copper pen on handmade paper, cut, 60 x50 cm.

George Steinmann, Indikator. Feng-Shui, 1988, Fern juice (Polystichum), Watercolor (Naples yellow), pencil on handmade paper, 80 x 110 cm.

George Steinmann, Resilience, 2016/2022, Indigo, prussian blue pigment, shellac, rhatany essence, ballpoint pen on photocopy with text from GST, 26 x 19 cm.

George Steinmann, Kreislauf (30.10.2022), 2022, Blueberry juice, fern juice, nettle juice, shellac, Prussian blue pigment, linseed oil, rhatany essence, Bündner schist, calcium hydroxide, ballpoint pen, pencil, 29.5 x 21 cm.

George Steinmann, Ethik und das Flüchtige (Aquapunktur), 2021, Pencil, marker, correction tape, spring substance, shellac, calcium hydroxide, 25.8 x 18.5 cm.

George Steinmann, Genius Loci Nairs, 2012, Pencil, ballpoint pen, AION A powder, rhatany essence, spring substance, shellac, calcium hydroxide, serpentinite, Oregon grape, marker on paper produced with water from the Carola mineral spring, Tarasp, 25.8 x 18.8 cm.

George Steinmann, Äusserer Raum-Innerer Raum, 1997/2017, Blueberry juice, indigo, shellac, rhatany essence, ballpoint pen, pencil, 28.8 x 19.8 cm.

George Steinmann, Indikator, 1987/2006, Lichen juice, (Letharia Vulpina) Fern juice (Polystichum) pencil on handmade paper, 91 x 117 cm.

George Steinmann, Labile Ästhetik, 1997, Spring substance, linseed oil, dust, glue, sage essence, pencil on second sheet with blueberry juice, antiseptic, and pencil, 29.7 x 21 cm.

George Steinmann, Arts and Culture Matter, 2016/2022, Indigo, prussian blue pigment, shellac, rhatany essence, ballpoint pen on photocopy with text from GST, 26 x 19 cm.

George Steinmann, Am Sitz der Mächtigen Platz nehmen, 2020, Indigo, spring substance, calcium hydroxide, shellac, ballpoint pen, marker, 29.7 x 21 cm.

George Steinmann, Umpolung (Universal Human Rights Article 27), 2017/2018, Blueberry juice, indigo, Paris blue pigment, Helio true yellow pigment, tempera, ballpoint pen, calcium hydroxide (Val S-Charl), 29.4 x 20.8 cm.

George Steinmann, Schichten der Ähnlichkeit, 2015/2020, Blueberry juice, indigo, rhatany essence, calcium hydroxide, Prussian blue pigment, ballpoint pen, 25 x 18.5 cm.

George Steinmann, Den Reichen geht die Natur aus, 2017/2021, Blueberry juice, Prussian blue pigment, indigo, fern juice, acid yellow pigment, shellac, calcium hydroxide, ballpoint pen, 29.8 x 21 cm.

George Steinmann, Kunst als Rhizom, 2025/2021, Blueberry juice, acid yellow pigment, shellac, ballpoint pen, calcium hydroxide, rhatany essence, 29.5 x 21 cm.

George Steinmann, Resonance (Relationality, Adaptability, Humility, Posterity, Mitigation), 2018, Blueberry juice, blackberry juice (2001), indigo, shellac, rhatany essence, ballpoint pen, pencil, colored pencil, 29.7 x 21 cm.

George Steinmann, Der Mensch verdankt es der Natur, dass er Natur ist, 2020/2021, Spring substance, shellac, rhatany essence, calcium hydroxide, ballpoint pen, pencil on fleese on paper produced with water from the Carola mineral spring, Tarasp, 25 x 18.5 cm.

George Steinmann, New Requirements, 2021, Blueberry juice, Prussian blue pigment, indigo, Bündner schist, shellac, pencil, linseed oil on fleece, 25 x 18.5 cm.

George Steinmann, COP21 Paris, 2015, Prussian blue pigment, fern juice, nettle juice, shellac, indigo, ballpoint pen, pencil, 29.5 x 21 cm.

George Steinmann, Transformation, 1996, Spring substance, linseed oil, blueberry juice, pencil on second sheet with linseed oil and pencil, 29.7 x 21 cm.

George Steinmann, Rückkoppelung (Rhizom), 2021/2022, Blueberry juice, rhatany essence, prussian blue pigment, indigo, nettle juice, calcium hydroxide, Bündner schist, 25 x 18.5 cm.

George Steinmann, Toxic Silence, 2017, Blueberry juice, indigo, ballpoint pen, shellac, calcium hydroxide on lithograph by GST, 29.8 x 21 cm.